Healing through story

Tag: International Writing Program (Page 1 of 2)

shortfiction24 – reduce by half

The nations of the world have been slow to act on climate change. What if they took a giant step, almost overnight?

What I’m Writing

This week I share with you a writing exercise I did several years ago for an online course from The University of Iowa’s International Writing Program. The assignment was to make a fictitious news statement look true. I wrote an imagined in-studio conversation between a host and two guest commentators for a nightly news program about G-7 actions on climate change. (The story is NOT inspired by any popular superhero films.) I hope you enjoy it.

Reduce by Half

Bob Gillen

Good evening and thanks for joining us this hour. I’m Nicki McNally. I’ve said before that the time of slow news days on Fridays is long gone. Today’s news will exceed even your wildest imagination.

We reported exclusively on this show last night that the G-7 called an emergency meeting. As we speak, they are together in an undisclosed location in Switzerland. Our sources tell us they are discussing climate change.

Apparently the G-7 are so serious about this meeting that they invited Russia to join them on a temporary basis. So, the G-8.

Well, that was last night’s news. Tonight our sources tell us, again exclusively, that the eight nations have today decided on a course of action. A shocking course. Earth-shattering, if I may be allowed a pun.

After a marathon day of meetings, the G-8 have moved quickly beyond the what and why of climate change. Our sources tell us that today they addressed the how. Their conclusion – the earth must reduce its population by half if we are to survive the current crisis.

You heard me correctly. Reduce the earth’s population by half. And the G-8 believe that this needs to be done within the next two years. Two years.

I pause for a moment to let that sink in.

All gone within 24 months.

Our planet is inhabited by about 7.7 billion people. Half that would be roughly 3.8 billion people. All gone within 24 months.

In this almost unimaginable recommendation, the G-8 are bypassing the United Nations. Bypassing all other countries, including India and China. Disregarding NPOs around the world. With this decision the G-8 have assumed control over the climate crisis. Up for discussion now is their proposal for how this will be achieved.

We have with us in the studio tonight climate expert Jon Greenleaf. Jon, this is enormous. What’s your initial take on this?

Thanks, Nicki. Enormous is an understatement. Here are only a few of the issues facing the G-8. How do we eliminate 3.8 billion people from the earth? In two years?

Who will be eliminated? We are not talking about genocide here. This is above race and ethnicity. This is planet-wide.

Let me run through a handful of bullet points for your consideration.

First, no one disputes the necessity of the action. Our planet is dying. We are killing it.

Next, there is the issue of the hubris, if you will, of only eight nations making this decision. Granted, the eight – Canada, France, Germany, Italy, Japan, the United Kingdom, the United States, and now Russia – represent 58% of global net worth. They are considered to be advanced economies.

Next, who will be designated for reduction? Do we do half of every nation on earth? Do we target entire areas on the globe?

The objective is to leave large areas of the earth to regenerate on their own. 

Now, the how. The methodology. Are we talking euthanasia? Eugenics? Sterilization is far too slow. What about asking for volunteers? Perhaps paying their surviving members a stipend. Maybe a lotto. Everyone on earth is assigned a computer-generated number. Odd numbers stay, even numbers are subject to reduction.

Who will enforce this action?

A further point – who will enforce this action? It could easily result in military action, at least with several nations. Will North Korea, for example, comply willingly with this?

Let me interrupt you, Jon. I’m thinking, what of the ethics of this? The moral implications? Think of the reaction of the world’s religions.

Indeed, Nicki. Say the world successfully carries this out somehow. It will impact economies as well. Losing half the residents of the United States, for example, could eliminate millions of jobs. I should say, eliminate people filling the jobs. Who will continue to maintain agriculture, financial institutions, education? Granted, the need for food and education could be less with all those people gone. But globally, it’s a huge issue.

What of taxes? The tax base could be cut in half. In every nation in the world. Fewer resources for services, police and fire protection, defense.

What of the talent base? The resources available to us now. The creative minds. The engineering folks. Computer systems.

And there is a huge logistical issue. Where and how will we bury 3.8 billion bodies? Can we do cremation on such a large scale? Bodies cannot easily be transported to large-scale disposal sites. 

Thank you, Jon, for your insights. Jon Greenleaf, climate change expert.

I am reeling. Of course, no one will dispute the crisis, the need for immediate action.

I have here with me another climate expert. James Walker. James, talk to us.

Thanks for having me, Nicki. This is radical beyond belief. If we began to work on climate change today, it would take many years to see a difference. Carbon emissions, glacier melting, rising ocean levels, storms, fires. Reversals will take years, decades. Sure, we can begin to change these, if globally we agree to a course of action. Yet the world’s population keeps growing. The chances of making a significant impact are honestly slim.

The solution to reduce the world’s population by half is radical. To add to Jon’s points, how do we decide who goes? Do we do it by nation? Are some nations less important than others? Could we do this by continent? Free up an entire continent for re-growth?

And in terms of impact, how do we do this without harming the flora and fauna of the earth? Can we eliminate all those humans and leave animals and plant growth unscathed?

James, my producers are telling me to take a one-minute break. Stay with me, please, for more discussion.

Please stay with us. What a day this is. So much to talk about.

***

Mannequin Monday: Reborn

shortfiction24

Only Dead Fish Swim with the Current

An apt quote from Ernest Hemingway. When I focused my blog on short fiction well over a year ago, I had thought the title “Mannequin Monday” was a clever takeoff on “Manic Monday.” Every week words would drape the bare mannequin, clothing it in story. I added quirky mannequin photos to supplement each post. I have certainly enjoyed posting to it weekly. But “Mannequin Monday” has evolved into an ill-fitting name.

I have re-designed my blog to reflect more accurately my writing interests, my author identity. I now term it shortfiction24

I’ve been a presence on the internet for 12 years. I started with my filmmaker site in late 2009, added a blog about storytelling (now merged into the filmmaker site), then developed my current blog, this one my author site. I’ve also written a handful of non-fiction and fiction books in that time.

In those 12 years I have seen many of my original internet interviewees and connections change their online identities, their site logos, their purposes. Some simply moved from one social media outlet to another. Others have changed careers or even disappeared from the internet. 

For a time I found it puzzling how they all changed, thinking it displayed inconsistency. But recently I am realizing how normal this is. Change is normal. Stuck in a time warp is not.

Maria Popova has re-titled her popular Brain Pickings newsletter, now calling it Marginalian. “Becoming the Marginalian: after 15 years, Brain Pickings reborn.” Popova says that many things in life are beyond our control. “But amid our slender repertoire of agency are the labels we choose for our labors of love — the works of thought and tenderness we make with the whole of who we are.”

an ill-fitting name

She further says, “As we evolve — as we add experiences, impressions, memories, deepening knowledge and self-knowledge to the combinatorial pool from which all creative work springs — what we make evolves accordingly; it must, if we are living widely and wisely enough.” Her realization: Brain Pickings had evolved into “an ill-fitting name.” Time for change, for growth.

I once interviewed a Dutch video journalist named Ruud Elmendorp, who has covered Africa for various news services for many years. Ruud is now beginning a new journey filming from a large ship as it roams the Mediterranean Sea searching for immigrants in need of rescue. He has been posting video and his personal thoughts as he begins this journey, seeking a new purpose.

book cover for Keep It Moving, by Twyla Tharp

Twyla Tharp, in her book Keep It Moving, talks of growing and changing as we age. Of not being stuck in the past. She says, “Your objective is to free yourself to be whatever and whoever you need to be right now.”

I am seeing changes in my own identity and purpose. For years I wrote non-fiction. The move to writing fiction was difficult. Still is. I have now further evolved (at least for the moment!) from writing full length novels to focusing on short fiction. Writing a novel, and then trying to market said novel, is quite difficult. And time-consuming.

I have come to enjoy writing short fiction. Hence the change in my blog from “Mannequin Monday” to shortfiction24. The 24 honors my wife Lynn, born on the 24th of one month, years ago, died on the 24th of another month, in 2020. The image of a cupcake is one of Lynn’s creations, drawn digitally to create a simple greeting card. The cupcake represents a small story bite.

Writing short fiction is, for me, perhaps an outgrowth of writing exercises for the writing courses I have taken in recent years. I’ve worked through three online MOOC courses with the International Writing Program (IWP) of the University of Iowa. Each course involved writing exercises. And I currently belong to a small writing group which is an offshoot of IWP alums. I have also taken a short course in journaling, again with short writing pieces as a daily requirement. 

just keep swimming…

I have evolved through many iterations in my lifetime, yet I believe I have remained rooted in who I am. None of my changes have been total disconnects. As Tharp says, “When making big choices in our lives, the best course is to recognize continuity in our intention. Thus we are neither repudiating nor repeating the past but, rather, respecting it as we move on.”

As Hemingway says, “Only dead fish swim with the current.” And as Disney’s Dory says, “Just keep swimming…swimming.” We keep moving. Always upstream, if we are alive.

My blog shortfiction24 will remain true to its core, storytelling. A new story will appear next week, and every week. And more discussion on storytelling.

I hope you continue to celebrate story with me. Thanks for loving story as I do. Storytelling makes the world go round.

***

Mannequin Monday – Filling the Void

Mannequin Monday – Filling the Void

What do I give myself to when faced with a wide open day? How do I fill the void? A life shift offers opportunity, unexplored space. What will my story be?

Storytelling makes the world go round. I’m reading News of the World.

And again, I offer you another story bite of my own for this week. “The Playlist.”

What I’m Reading/Working On

A friend, a writing coach, asked this week in a social media post: what is your writing goal for this year? I replied by saying, fill the void. A bit humorous, maybe. A touch enigmatic. I’ll explain. My life circumstances have changed dramatically in the last several months. There is now literally a void, a large open space, in my life. How to fill it? So easy to say, I have tons of time to write. Not so easy to actually write.

I need structure to write. I’m not referring exactly to a writing outline, a book plan. There is a blank page, an empty screen, waiting for my words. I re-energized my weekly blog about a year ago with the Mannequin Monday concept. Drape the blank form with thoughts and ideas. The structure I began with was one I borrowed from several online courses I had taken with the International Writing Program at the University of Iowa. Listen to or read a transcript of an author talking about their approach to creative writing. Reply to a few discussion questions, and offer comments on the work of other participants. Read a writing lesson. Write an exercise inspired by the lesson.

The structure worked for me. I had a pattern. I was not creating entirely from scratch every week. And so Mannequin Monday came to be. I am now 50 weeks in. The structure has evolved somewhat. Simplified to What I Am Reading and What I Am Writing. But the focus remains the same. Fiction. Storytelling.

A brief mention of what I’m reading this week. Paulette Jiles’s book News of the World, on which is based the new Tom Hanks film. I like the main character’s occupation: a printer who also travels the country with current newspapers, charging a dime a head to read the news of the world to his audience. The story is set in the years following the Civil War.

I am five chapters in. Perhaps a bit too much backstory for a short book, but a great read so far. More comments next week.

What I’m Writing

Once again, I used Ray Bradbury’s writing guideline: nouns and titles. Make a list of words, titles, phrases. Let a story emerge from the words. Here’s my latest effort.

Continue reading

Mannequin Monday – A Frozen Moment in Time

Mannequin Monday – A Frozen Moment in Time

Disability awareness and inclusion clothe our mannequin this week. We examine how comics in particular have expanded to include who we are collectively.

The focus is on The Silver Scorpion, written by Ron Marz.

And I offer a character sketch on a teen with limb difference.

What I’m Reading This Week

I read The Silver Scorpion this week. You can read Issue 1 of the comic for free here. You’ll need to sign in to Google to access it.

The story was written by veteran comic writer Ron Marz. A Syrian boy, Bashir Bari, who lost his legs in a landmine explosion, develops a superpower to manipulate metal. The power is to be used only for good, for protecting the innocent. Bashir becomes the Silver Scorpion.

I came upon the comic while taking an online writing course from the University of Iowa. The course, Creative Writing, Disability Awareness and Inclusion, is part of the offerings from their International Writing Program. In the last several years I’ve completed several of their online writing courses. I strongly recommend them. They are definitely a challenge, but the results are so worth the work.

The course presents six YouTube video presentations on disability awareness and inclusion. The one I’m talking about today features Ron Marz. He has been writing comics since 1990. Marz says when he started in comics, it was white men writing for white teen boys. He has helped that world evolve to be more inclusive.

A Muslim character with a disability

The Silver Scorpion was created by a group of Syrian and American disabled teens who gathered for a conference in Damascus. The Open Hands Initiative and Liquid Comics approached Marz, who eagerly joined the project. To this day, it is one of his proudest accomplishments. The Silver Scorpion is a Muslim character with a disability. The story aims to build trust and understanding between cultures.

In his presentation Marz talks of the changing audience for comics. An audience that now embraces graphic novels and digital comics across a wide, inclusive range of characters.

Comics, Marz says, are simply stories with pictures. This kind of storytelling has a long history: drawings on cave walls, medieval tapestries, illuminated manuscripts, for example.

In writing a comic, Marz describes each image, each panel, as a frozen moment in time. The writer selects the best visual for each panel that lets readers know what they need to know to advance the story. The illustrator is the co-author of the story, guided by the images the writer has described. Focusing on visuals is a valuable insight for any fiction writer.

Today’s comics embrace a diversity of audiences. Not all characters are superheroes. Genres now include horror, crime, romance, sports. Marz says being inclusive is an evolutionary process. Contemporary comics express who we are collectively. We all want to see ourselves reflected in stories.

Marz is confident a reader can find the one comic story that pulls you in.

(If you’d like to try your hand at creating comics, here’s a link to some blank comic book pages on artist Jarrett Lerner’s site.)

What I’m Writing This Week

I offer you another character sketch, this one from Surfrider, the second book now in draft for my Film Crew series. Maddie Dela Riva is a teen girl with a limb difference. Enjoy the sketch.

A Limb Difference

Continue reading

Mannequin Monday – It’s Just as Well

Mannequin Monday – It’s Just as Well

“Show us a world we’ve never seen before.” A sense of place in writing. Not simply setting. A place. A world. Almost a character in itself. This Mannequin Monday finds us working on creating worlds with our words. I visit one of Louise Penny’s novels, The Long Way Home, for descriptors of a unique world.

I include a piece of my own writing. “The Rain is a Thief.” A short story of tragedy – and release – set in a black night of rain.

This Week’s Story

I am participating in a writing course from the University of Iowa’s International Writing Program. This week’s lesson centers on setting.

One of the instructors tells us, “Show us a world we’ve never seen before and we’ll never see again.” She continues. “You can create that kind of singularity simply by overlaying an emotional reality over that physical reality in a way that’s never been done before in quite that sense.”

Elsewhere in the course, “You’re not just setting into place pieces of landscape in which your characters are moving around. You’re also getting a chance to do some major work to show the gears that are turning inside of those characters, show what’s important to them, show what’s haunting them so fully that nothing in their gaze, nothing in their perspective is like escaping the sway of whatever that emotional situation is.”

Continue reading

Mannequin Monday – Ebony Fingers on White Keys

Mannequin Monday – Ebony Fingers on White Keys

Hi. Welcome back to Mannequin Monday. Our ongoing goal here is dressing the blank form: words, images, clay, paint, movement. This week I will again rely on images to spark creativity.

Today starts with artist and writer Austin Kleon, who continues to inspire me. He recently posted architectural image collages on his blog.

Kleon in turn led me to designer/writer Frank Chimero, who specializes in interactive web design.

And I wrap the weekly post with a writing sample of my own, a writing exercise on haiku. One: Ebony fingers on white keys sprayed wild notes on the air.

Continue reading

Mannequin Monday – Africa Rasta Hair Salon

Mannequin Monday – Africa Rasta Hair Salon

Another mannequin waiting for someone to dress it. Words, sketches, clay, film, whatever media you choose.

This week features a short story by writer, dramaturge and activist Bibish Marie-Louise Mumbu. And a brief interview with photographer Mark Seliger, done for The Creative Process.

Lastly, a piece of my current writing.

This Week’s Reading and Discussion

On this Monday I’d like to share a story, Me and My Hair, by Bibish Marie-Louise Mumbu. The author, originally from Democratic Republic of Congo, now lives in Montreal. The narrator begins by walking the reader through her five hours in the Africa Rasta hair salon. Her thoughts run to the man who dumped her after three years together. She talks of “her anger in being scorned and her pride in her identity.” She muses on changing her hair style, shedding her dreadlocks for a lighter style. “I’m coming out of my dreds,” she says.

One of the truths expressed by the narrator: “Now I’ve been dumped, I’ve gotten used to the word, you know, it’s like I told you sometimes; we think we’re safe from some things, we trust time, words spoken, tender little words in writing, until the very same mouth that says I love you says something else, and you hurt so much that you want to hurt somebody else, but if it’s not your style, then what do you do?”

She finds her revenge. A new hair style. A hot outfit. A party. A new man.

Thanks to the International Writing Program at the University of Iowa for sharing the story with us.

This Week’s Podcast/Interview

Continue reading
« Older posts

© 2025 Bob Gillen

Theme by Anders NorenUp ↑