Healing through story

Tag: Louise Penny (Page 1 of 2)

Mannequin Monday – No Car Chase Without a Driver

Mannequin Monday – No Car Chase Without a Driver

No story without a character. This week I talk about the people who inhabit a story. The mannequin itself, before it’s dressed. So many memorable characters in fiction.

And I offer you a short piece inspired by a Rodin sculpture.

Enjoy!

What I’m Reading

I remember the driver, not the car chase. No story comes to life without good characters. Their efforts to survive, to conquer, to love, to find a place in the world. 

I remember the detective, not the crime. Michael Connelly’s Harry Bosch lives, grows, through dozens of crime novels. Louise Penny’s Armand Gamache commands our attention through all of her crime novels.

I remember Hemingway’s Santiago, the fisherman, not the great marlin he caught in The Old Man and the Sea.

While I never finished re-reading Moby-Dick, I do remember Ishmael and Ahab, not so much the white whale.

his fierce determination to survive

I remember Gary Paulsen’s Brian Robeson, the thirteen-year old boy in Hatchet. I recall his fierce determination to survive. Memories of the environment he found himself in are secondary.

I remember this week’s read: Elizabeth in Raymond Fleischmann’s How Quickly She Disappears. Her engrossing adventure, much of it emotionally wrenching, dealing with a psychotic man who claims to know where her missing sister is. I won’t recall the details of her search. I will remember her. Her strength, her resolve. 

I remember Kieran Elliott in Jane Harper’s The Survivors. Kieran heads an ensemble cast of characters, carrying guilt over the deaths of two men in his small town, now dealing with a missing girl and a murdered woman.

I remember U. S. Marshall John Whicher in John Stonehouse’s Whicher series. Breathless adventures, thrillers. True page-turners. Yet nothing without the MC, the main character.

Needless to say, story and plot, setting, are important. Those are the world the characters live in. But it will always be the characters who live on in my mind.

What I’m Writing

This week I used one of Rodin’s sculptures for inspiration in a writing exercise. Here’s the photo. I focused on the hand on the left.

The Hand

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Mannequin Monday – Be Still

Mannequin Monday – Be Still

Turn down the volume and listen to the silence. Mannequin Monday brings us a note of quiet this week. Drape the form in soft fabric. In words that rise out of the silence in our hearts. A moment of stillness.

A few words from a biblical psalm help us be still.

As always, a lighthearted story of my own.

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Mannequin Monday – Scars Tell a Story

Mannequin Monday – Scars Tell a Story

“A shuddering ripple, a thrill of strength.” Rainer Maria Rilke’s description of Auguste Rodin’s sculptures. Mannequin Monday this week examines the work of Rodin, with implications for authors.

I offer my own story, Scars Tell a Story, where I try to absorb some of Rodin’s artistic outlooks into my writing.

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Mannequin Monday – The Wonder of Re-Reading a Novel

Mannequin Monday – The Wonder of Re-Reading a Novel

In our creative work we give form to feelings. In writing, music, sculpting, painting, photography, film. “We write to taste life twice, in the moment and in retrospect.” Anaïs Nin.

This week Mannequin Monday looks at the wonder of re-reading a novel. I re-visit authors Louise Penny and John Steinbeck to help us with that.

This Week’s Story

The Wonder of Re-reading a Novel

I am not a fan of re-reading novels. In my lifetime I have read hundreds, perhaps thousands of novels. They span a wide range of styles and genres. Most of them have been mysteries, police procedurals, thrillers, international espionage. I love a good mystery. In the mystery genre, my favorite authors include Michael Connelly, Daniel Silva, Louise Penny, William Kent Krueger, Frederick Forsyth. All excellent authors, with exciting, well-crafted novels. I admire Connelly’s detective Harry Bosch. His driving force: everybody counts, or nobody counts. And Silva’s latest novel, The Order, exemplifies hope in a troubled world, more so than many of his previous books. 

Few of these, however, inspire a re-read.

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Mannequin Monday – Come See Where I Live

Mannequin Monday – Come See Where I Live

Robert Frost once said about writing: “a poem is never a put-up job—it begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.” Mannequin Monday this week looks at the brokenness at the heart of any impactful poem or story.

I include a sample from my upcoming book Surfrider, the second in the Film Crew series.

This Week’s Story

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Mannequin Monday – It’s Just as Well

Mannequin Monday – It’s Just as Well

“Show us a world we’ve never seen before.” A sense of place in writing. Not simply setting. A place. A world. Almost a character in itself. This Mannequin Monday finds us working on creating worlds with our words. I visit one of Louise Penny’s novels, The Long Way Home, for descriptors of a unique world.

I include a piece of my own writing. “The Rain is a Thief.” A short story of tragedy – and release – set in a black night of rain.

This Week’s Story

I am participating in a writing course from the University of Iowa’s International Writing Program. This week’s lesson centers on setting.

One of the instructors tells us, “Show us a world we’ve never seen before and we’ll never see again.” She continues. “You can create that kind of singularity simply by overlaying an emotional reality over that physical reality in a way that’s never been done before in quite that sense.”

Elsewhere in the course, “You’re not just setting into place pieces of landscape in which your characters are moving around. You’re also getting a chance to do some major work to show the gears that are turning inside of those characters, show what’s important to them, show what’s haunting them so fully that nothing in their gaze, nothing in their perspective is like escaping the sway of whatever that emotional situation is.”

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