Healing through story

Tag: Narrative magazine (Page 1 of 2)

Mannequin Monday – Take Me Home

Mannequin Monday – Take Me Home

Hey, here we are for another Mannequin Monday. We come back every Monday to find more words, more ideas, more inspiration to dress that blank form. Today we shape our words to describe roads. Dirt roads. Streets. Highways. The road to finding oneself.

First up is a poem by Tyree Daye, titled By Land. As I often do, I found this in Narrative Magazine. A great source for fiction and non-fiction. Free to read, with only a signup.

And then a short story of my own, My Big Brother is Scared.

This Week’s Story

In Narrative Magazine, Tyree Daye brings us a wonderful poem , By Land, evocative of the roads in our lives. The roads that somehow shaped and informed us. Our memories. Our visions of ourselves. Here are a couple of excerpts.

By Land opens so:

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Mannequin Monday – Ocean, You Owe Me a Body

Mannequin Monday – Ocean, You Owe Me a Body

Welcome to another week of Mannequin Monday. The place where we drape the naked form with words, images, shapes, texture. The magic of story.

Today, the featured story starts where sea meets land. We drape the form with wet sand, with overpowering sea water, with “landlocked grief.” The story is Across the Sea: A Sequence, by Gbenga Adesina.

My own writing sample today is titled “Cold Pizza”. A man waits at the beach for a woman. For a fresh start.

This Week’s Story

Nigerian writer Gbenga Adesina brings us a poem, a story of the sea. Adesina is second-place winner in Narrative Magazine’s eleventh annual poetry contest.

The sea as a place where life meets death. Where dreams meet reality. His piece is titled: Across the Sea: A Sequence. You can read all of it in Narrative Magazine’s website.

In Adesina’s poetic story I see immigrants. Struggling to escape to a new life. Fighting the sea. Perhaps fighting a sea they have never seen or dealt with before. Landlocked people driven from their homelands. Crowded on barely-seaworthy boats to cross to a land with opportunity. With hope. Hope now drowning in sea water.

Here is a quote from Adesina’s Across the Sea:

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Mannequin Monday – A Pivotal Choice

Mannequin Monday – A Pivotal Choice

The naked form, the blank page. Time to dress them again. Dress with your narrative. Your point of view. Your expression of self. You as artist, making art.

This week we take a look at four exciting, award-winning stories from teens. Courtesy again of Narrative magazine.

Plus, Donald Maass offers advice on writing with meaning, in Writer Unboxed.

And a sample of my own writing. This time a repost of The Mother’s Day Card.

This Week’s Story

Narrative magazine, a consistent – and free – source of good fiction, recently ran its fifth annual Narrative high school “Tell me a Story” contest. The winners each had their stories posted on the magazine’s website.

In the words of Narrative, “What happens when you make a choice? A choice that can’t be smoothed over, reconciled, or unmade? That’s a question for the ages—and for story.”

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Mannequin Monday – Dreams Too Large to Carry

Mannequin Monday – Dreams Too Large to Carry

Welcome to one more Mannequin Monday. Our theme continues. We find ways to dress the blank form. To cover the mannequin, to write the words, to shape the sculpture, to create the sketch, to take the photo or make the film.

Today our fiction piece – again from Narrative magazine – features a story by Ifeoma Sesiana Amobi. The interview features five up and coming Nigerian writers. And finally, another sample of my own writing.

This Week’s Story

Narrative magazine gives us a fine short story by Nigerian author Ifeoma Sesiana Amobi, titled A Small Blip on an Eternal Timeline.

“My family came to America when I was one, and in my tiny luggage bag my mother stuffed dreams too large for me to carry.”

So starts Somadina’s story. In her early twenties, an artist, she lives with boyfriend Emeka in a tiny apartment in Pittsburgh, PA. Emeka has his big dreams too, but he struggles with family expectations, a potential marriage with the “ideal” woman Amaka.

“Give me a little more time,” he pleads. He swears he will tell his parents he will not pursue a marriage with Amaka, but rather build a life with her. His family strongly disapproves of Somadina.

She struggles with her own family’s expectations. “According to my mother, I was never right with the world.” She tells Emeka, “I had a teacher once, in a continuing ed studio workshop… He told me that I would have a hard time competing with African artists who were making bold statements as a result of living in a state of existential urgency. He did not realize that my flowers were also coming from existential urgency. I asked him why my paintings had to mean something. Why they couldn’t just make me feel something. Something indescribable. Why couldn’t they just open a door for anyone to walk through and experience an existence that’s greater than they will ever be but also in this strange and relieving way, a part of them. An alternate reality that is ours. Isn’t this what we all want? To find that magical place in the midst of our tiny, broken-up lives?”

Somadina muses, “If I hadn’t lived out my life the way I felt I needed to, moment by moment, we might not have met each other. In the grand scheme of things, as ugly as life gets sometimes, I haven’t made any mistakes. Am I wrong? Am I making a mistake?”

When would I stop running? she asks herself. Running away from myself?

“I took one long, deep breath, and walked into the sun.”

Dreams too large to carry in a tiny suitcase. A metaphor for the plight of both characters. Dreams vs. expectations. A conflict between their own dreams and those of their families. A conflict within, as each struggles to find their way.

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Mannequin Monday – A Sense of Compassion

Mannequin Monday – A Sense of Compassion

Clothing our blank forms again, with an awareness of suffering. A sense of compassion. This week’s short story Friendship and Art comes from Alan Ziegler, courtesy of Narrative magazine. This week’s interview is from NPR, Scott Simon talking to Dr. Suzanne Koven, formerly with Massachusetts General Hospital. And I offer a writing sample of my own about street art.

This Week’s Story

Read Alan Ziegler’s iStory here.

“It’s nice,” I reply, the words you use when you want to break a poet’s spirit..” As Alan Ziegler says in Friendship and Art, the words you use to break a poet’s spirit. A writer’s spirit. Narrative magazine again brings us a compelling piece of fiction, one of four iStories. How devastating to an artist to say something like, your work is nice. And in this story it’s said deliberately. Intended to break spirit. A moment of compassion extended to a friend has two years later become a poetic description of a cold person’s tolerance.

This reminds me of an interview my wife and I conducted with record producer David Malloy in Nashville years back for Music and Sound Output magazine. David was walking us through his Emerald studio, explaining the equipment, listing his gear. He introduced us to young singer/songwriter Anthony Crawford. He played one of Crawford’s songs that he was producing. I commented naively that Crawford’s voice reminded me of another established country singer. David jumped on me immediately. Don’t ever tell an artist his work sounds like someone else’s work, he said. His work stands alone. I never forgot that message.

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Mannequin Monday – Last Flight from Bordeaux

Mannequin Monday – Last Flight from Bordeaux

This week we have fun dressing the blank page with colorful graphic stories and illustrations. Artist Sofia Warren brings us Last Flight from Bordeaux. Warren documents her attempts to leave France and get back home to the States in the midst of the COVID-19 pandemic.

And cartoonist Liza Donnelly sketches a graphic memoir of her life in Portrait of the Cartoonist as a Woman.

To cap off the week, I offer a playful writing sample of my own. Enjoy.

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Mannequin Monday – After the Light Cracks the Sky

Mannequin Monday – After the Light Cracks the Sky

This week on Mannequin Monday we dress the naked form with words of poetry. The work of Maria Hummel, novelist and poet, and the poems of Naomi Nye. Both pen words that can comfort us in these days of fear and quarantine. And to cap the week, I include an excerpt from my novel Apart.

This Week’s Reading and Discussion

I enjoyed reading some of the poetry of Maria Hummel this past week. Thanks to Narrative magazine for posting it. Narrative’s website is a goldmine of excellent fiction, poetry and non-fiction.

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