Healing through story

Tag: Wynton Marsalis

Mannequin Monday – If people don’t die right, they haunt

Mannequin Monday – If people don’t die right, they haunt

Our mannequin, our framework, will perhaps remain unclothed this week. It’s all about not dying right, about absence. Haunting.

Quotes from Wynton Marsalis and Eddie Glaude.

And a story of mine, inspired by the quotes.

What I’m Reading This Week

I came across this quote from Wynton Marsalis this week. “So many of us have lost loved ones to Covid-19 and didn’t have that last chance to say goodbye in-person. Your dearly departed is forced to come to you from the spirit world and sit with you. Their presence allows you to grieve slowly, to mourn completely. So many people say they just can’t sleep. It is a profound, holistic pain that can only be assuaged in a realm that is deeper than dreams.”

The quote refers to his new musical work, The Democrarcy! Suite.

In the same vein, I heard an impactful comment from cable news commentator Eddie Glaude. Glaude was speaking of the effects of the COVID explosion on many of us when he said, “If people don’t die right, they haunt.” He is the James S. McDonnell Distinguished University Professor of African American Studies at Princeton University. Also the Chair of the Center for African American Studies and the Chair of the Department of African American Studies at Princeton. His quote inspired my own writing this week.

The 400,000-plus deaths from COVID are compounded by the knowledge that most, if not all, of those 400,000 died alone, apart from family, friends, loved ones. They died alone.

What I’m Writing This Week

Here’s what I’m writing, what I’m feeling, this week.

A Whisper of Breath

If people don’t die right, they haunt.

The comment jumped from the TV,  framed by a jumble of unheard words. It hit Elizabeth McLane between the eyes.

Yes. That’s it.

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Mannequin Monday – Here’s Joe Cool…

Mannequin Monday – Here’s Joe Cool…

Here’s Joe Cool, appearing in the first Mannequin Monday blog post of the new year. This week, an insightful article from The Atlantic on Charles Schulz’s character Snoopy. Snoopy, “realizing that he’s tired and cold and lonely and that it’s suppertime.”

And, as always, a writing exercise of my own.

What I’m Reading This Week

A 2005 article in The Atlantic caught my eye this week: “The Exemplary Narcissism of Snoopy” by Sarah Boxer. Boxer began the article with a short history of the comic strip as it developed from its inception in 1950.

Peanuts was deceptive,” Boxer wrote. “It looked like kid stuff, but it wasn’t. The strip’s cozy suburban conviviality, its warm fuzziness, actually conveyed some uncomfortable truths about the loneliness of social existence. The characters, though funny, could stir up shockingly heated arguments over how to survive and still be a decent human being in a bitter world. Who was better at it—Charlie Brown or Snoopy?”

Every character… had at least one key prop or attribute.

Boxer’s description of the workings of the comic strip offers solid advice for any story writer. She wrote: “Every character was a powerful personality with quirky attractions and profound faults, and every character, like some saint or hero, had at least one key prop or attribute. Charlie Brown had his tangled kite, Schroeder his toy piano, Linus his flannel blanket, Lucy her ‘Psychiatric Help’ booth, and Snoopy his doghouse.”

I see a connection between writing a comic strip and storytelling at large. Any fiction writer will struggle to create characters with distinct personality traits, quirks, foibles. Even a tic unique to them. I think, for example, of Hemingway’s Santiago from The Old Man and the Sea. The story is all about the fisherman’s quest for a large fish, but we readers revel in hearing him talk about American baseball teams.

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